Category: Voiceover (Page 1 of 5)

Voiceover for Steelers/Ravens Rivalry Week

Ohhh man.  Rivalry week.  Just about every team has them.  Washington/Dallas.  Chicago/Green Bay.  Atlanta/New Orleans (although that one has faded recently).  And when your most-hated rival comes to town you can “throw out the schedules” as they say.  But when the Steelers call it always gives me a charge.  I’ve been voicing their in-stadium, online and other content for a while and I absolutely love it!  They usually want that old-school Facenda-ish read that makes you almost smell the “frozen tundra of Lambeau Field”.   And they said to really lean into it.  It’s like Thanksgiving came early.  What a great organization to work with and what it honor it continues to be.

Pittsburgh Steelers

Voiceover for Right Guard – A Couple Different Reads

Commercial

Manifesto Video

The agency wanted two different reads for essentially the same campaign with the same message.  The commercial read had a bit of a wink, was straightforward and warranted delivery of the message quickly and efficiently.  It was to have a  gruff, honest, hardworking vibe.  The manifesto video needed a similar approach, but it was more measured.  You’re leaning in a little more, relating, sharing.  The blue-collar element is there but it’s pulled back a bit, almost documentary-style for folks who know a hard day’s work.

These two projects are what I love about VO.  They’re very similar, but they also have very distinct differences that need to be communicated in a subtle manner.   Direction and communication of the writer’s vision is key and the agency did a great job helping me to storyboard it in my mind so that I didn’t screw it up.  Aside from post-production (the unsung heroes of the creative process), voiceover is one of the last steps – from concept to finished product.  Often, the VO won’t even know if they’ve nailed it until they see the final.  You can pretty much know based on how the session went and how you felt about your performance, but you never know for sure until you see how all the elements come together.

VO for the mighty Pittsburgh Steelers, in the style of another giant.

One day about a year ago the Steelers called.  That happens every day, right?

They asked if I’d be interested in voicing some in-stadium content.  Since then I’ve voiced a few productions for them that promote ticket sales for upcoming games.  When they called this year to see if I could voice a draft day promo in the style of the legendary John Facenda it didn’t seem real.  How many voice styles do people know?  Mel Blanc, Harry Kalas (another hero), Don LaFontaine, Paul Frees and a few others?  And John Facenda.  The voice of NFL Films.  “The frozen tundra of Lambau Field…”  Ya know?

This is by NO means an impression.  But his bold, loping, storytelling delivery informed the approach.  It’s an honor.  I can only hope they keep calling.  And thank you Mr. Facenda, for being one of the voices inside my childhood head.

The illusion of the “self”, gratitude, and life as a voiceover artist – or anyone else.

Why the quotation marks in the title of this blog post?

Is the self an illusion or not?

Well, who’s asking?  Is it the self, or the concept of the self that harbors our identity (what it’s like to be human) within the sense of experience that we consider consciousness.  This is not some pseudo-intellectual musing, but rather a question based on seemingly empirical evidence of our existence.  We feel.  We see.  We eat.  We live.  We think.  Descartes said “Cogito, ergo sum”, or “I think, therefore I am.”  Is that enough?  Is it true?

We are complex animals with complex emotions and complex thoughts.  Those emotions and thoughts often rule our day-to-day experience.  They’re always with us because they reside within us.  They ride around with us constantly reminding us about our shortcomings, our fears, our inadequacies.  It’s only when we see them and shine a light on them that we can try to control our own inner narrative and realize that we are not every random thought that claws at us for attention like children at Grandma’s apron.  “Think ME!  Think ME!”  We have to remember to be positive.  We have to remember to tell ourselves that we are enough.  That’s not to say we’re all shrinking wallflowers afraid of our own shadows; quite the contrary .  We are an amazing species we humans.

Just look at how far we’ve come in such a short period of time.  We’ve only been around for a fraction of a fraction of a second, relatively speaking, when you consider the known universe is thought to be around 14 billion years old and the modern form of the human brain only developed about 100, 000 years ago with some sources saying it was more recent than that.  So that’s .0001 or 1 ten thousandth of a percentage point of the universal timeline that we’ve even possessed self-awareness.  And yet we exist in the time of flight, modern medicine and space travel.  But, we also exist on the time of modern warfare, weapons that can kill millions instantly, widespread famine and disease including some very aggressive and incurable forms of cancer that many believe have risen due to self-imposed factors such as pesticides and radiation, and, of course, reality tv.

We’re still very young as a species.  An experiment, some say.   And we’re still figuring this whole civilization thing out.

It’s all-to-easy to focus on the negative in every day life.  Especially since, thanks to to the very advances in technology and global communication we could  trumpet as miracles of modern living, we are constantly reminded of it via numerous windows and channels of information – social media, internet, tv, pop culture, etc.  Meditation is a vital practice for many in an attempt to take back control of our inner narrative and remind ourselves to catch our own thoughts in the act.   Our thoughts are always with us and not always acting in our best self-interest.  It’s important to observe those thoughts and look deeply into the story they are telling us while always remembering that the “they” IS “us”.

With so many thoughts, emotions, anxieties, hopes, dreams, delusions and possibly worst of all, comparisons rolling around in our very young monkey brains, and so many forms of input being laser-gunned and projected at us and fueling all that noise that shouldn’t be granted the power that it has over us, how are we supposed to know WHO or WHAT the hell we really are from moment to moment?  Well, we aren’t.  We don’t have to be just one thing.  We are all many, many things all at once.  And that’s ok.  And we need to feel ok with telling ourselves that it’s ok.  Experiment.  Try new things.  Explore.  Create.  Change jobs.  Ask questions.  Life is indeed short and experience is the stuff of life.  See those thoughts.  Then think the shit out of them so they can’t hide.  Then let them be on their way.   Which is not to say there is no accountability at all in a life and society where, suck as it might, currency smoothes out the edges.  Unless you wanna go all unabomber and live in a plywood shack or a treehouse, there is a price to be paid to participate in civilized society.  Follow your heart, but don’t follow a sovereign conspiracist into the wilderness.

In my day-to-day experience as a voice actor I feel a sense of gratitude to get to do what I do.  My travels have taken me through the worlds of broadcasting, advertising, copywriting, audio post production and sound design, video production, the nonprofit world, the cycling industry and a few others if you count the vocation potpourri that is the average assortment of college jobs.  I’ve gotten to try and do a lot of things, most of which have theme running through them.  That theme revolves around storytelling through the use of audio, sound, language and music – all things I absolutely love.  So for that I am truly grateful.  But as a voice actor – a passion AND a job that I embraced as a result of arriving at a confluence of all those things – I get to try on all sorts of different identities.  I get to be understated and overboard.  I get to be coy and obvious.  I get to be quiet and loud, Southern and Northern, shy and extroverted, the referencer and the expositor.  I get to see those thoughts hiding in the shadows, grab them firmly by their ears or lapels, roughly by their strong, weathered arms, or gently by their frail little hands, lead them into the light and put them to work and give them value.  And each time I do I learn a little more about them and a little more about myself.  But I always learn something new.  And each time I get to do that, whether it’s an audition, a spec read, a pro bono project or a national campaign, I get a little better at processing more of those levels of consciousness that make humans unique and the emotions that make them unpredictable.  There’s no bottom to the well and there’s no ceiling to the sky.  There’s always more to learn and understand and figure out.  How awesome is that?  It also makes me happy on a professional level because like anything else the more you do something with intention the better you get at it.  I feel a great responsibility to my clients as well as a great appreciation for them.  They put an incredible amount of trust in any creative when they entrust their vision to them.  It’s not to be taken lightly.  It’s not life-and-death.  We’re not doctors or scientists or astronauts or deep sea engineers.  But this is our space and we need to lean into it as anyone else does who’s doing a job and providing a service.  I’m just thankful that I get up every day excited about what the day may hold because it’s always different and it rarely reveals itself ahead of time.  Ironically, it’s not completely unlike chasing that dopamine hit while scrolling through social media.  The rush of curiosity and the unexpected keeps you coming back.  But when it comes to social media, the hit too often takes the form of anxiety and self-doubt.  Whereas when I fire up a Pro Tools session, get behind the mic, pop on to Source Connect and the client is waiting on the other end of the line and we breathe life into something that wasn’t there before based on one of those thoughts that demanded to be thought – it’s pretty wild.  I’m grateful for it.  And I think, no, I know that gratitude is a story I’ll keep telling myself.  Whatever, or whomever my “self” is.

 

 

 

Good Eye Podcast – Fear The Reaper, Not A.I. – audio

In this Good Eye BLOGcast, I muse on the advancement of A.I. and its effect on people and industries that, historically, have been the exclusive domain of humans.  As a voiceover artist, whoddathunk that computers would one day be gunning for my job.  But I’m convinced that you need to face these advancements head-on.  Lean into what makes us human.  What other choice do we have?

Audiobook Narration – Jay Smack VO – The Golden Fortress

Do you like to read?  Do you like to listen to audiobooks?  Perhaps you enjoy both.  I know I do.   But I also enjoy narrating audiobooks.  It’s one fact of being a voiceover artist that I love because you learn so much about so many different subjects.  In this case, I’ve narrated this book about the 1930’s Dust Bowl migration called the Golden Fortress by Bill Lascher.  It examines the impact of that migration on many migrants fleeing the dust storms and attempting to make a new life in 1930’s California, as well as California’s response to the influx of so many people from around the country.  In the case of the migration and the response, it was not smooth.

Click the cover art image to jump to Audible.

 

 

Editors are storytellers – A tribute to Taylor Hawkins

Editors are storytellers.

Post production editors, mixers, motion/graphic artists, animators, composers, cinematographers, directors, and other creative technicians often work in secluded rooms using creative vision as a compass. It’s not for everyone, but for some, it’s the only thing they could ever envision doing.

Please excuse the sharing of someone else’s work, but when I saw this tribute piece for Taylor Hawkins I was floored. I don’t know who produced and edited it, but we rarely do, do we? It hits all the right notes and deftly combines the emotional impact of losing such an inspirational figure with the artistry of this production to generate a visceral reaction. The rhythm, the shot choices, the length of each shot, the song, the timing, all of it comes together to say what words never could. It tells a story succinctly, passionately, honorably and completely.

Music is what got me into this business and it’s what prevents me from ever leaving. I have to be close to it. It’s the same for many of us. As a vo artist/audio post mixer (and drummer) navigating a career path through the intersections of creativity and commerce, it hasn’t always been an easy business to be in. But I couldn’t imagine it any other way.

RIP, Taylor Hawkins. Thanks for the music and the joy. And thanks to the lifers in this crazywacky business who remain unsung, which is most of us. And we’re fine with that. #postproduction

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